Upcoming exhibitions etc. 2024

Venice! I am taking part in @Proseed_Collective_Venice24 – a collaboration brought together by Carlisle-based artist, Daniel Ibbotson. We will be exhibiting at Palazzo Bembo, Venice, under the auspices of the ECC (European Cultural Centre), 20 April – 24 November.

Palazzo Bembo, Venice

Huge thanks to Daniel for including me along with 40+ other artists from Cumbria and elsewhere in the UK.

Edinburgh In addition to the Venice adventure, there will be an exhibition featuring some of the same group of artists at 24 Art Gallery, Leith, Edinburgh, 1–14 June.

Kendal I will have a solo exhibition at the People’s Gallery, Kendal Museum, including drawings, prints and paintings. Opens 15 August. Preview night 16 August. Exhibition continues until 21 September, opening days are Thursday to Saturday.

Letterpress

I had my first attempt at letterpress printing on an Adana Press at Linden Print Studio:

It was a very enjoyable and educational day. Many thanks to Vega! The results will be on show at Kendal in August/September – see above.

Linocut alphabet

I recently finished cutting a series of alphabet linoprints. Editions are yet to be printed but here is the complete set, and selected individuals.

It took a while to find subjects for the more obscure letters, though K was an obvious one.

V is for vendace
U is for uromastyx

Nothing to say (revised, with pedantic endnotes)

What have you got to say for yourself?

Cursory nursery rhymes

There’s nothing more to be said

We’re mute as the dead

Nothing to say but old saws

Cutting and pasting the same old boat[i]

Nothing new to see here

Old wives’ tales and ancient mariners

Nothing but sea here

Nothing fresh to hear here

Just reciting clichés

Speaking of the devil

Card sharps with idle hands

Shuffle the nonsense and repeat

Hear! Hear! Oyez! Oyez!

Listen – silent –

Same, same, same…

Time, time, time…[ii]

Tock, tock, tock

Nothing new under the moon or the sun

Banging the same old broken drum

The times rhyme –

And we’re in the dock,

we’re under the gun

(Egg jugglers,[iii] water carriers,[iv] terminally ill

turn your wine into vinegar.[v]

But there’s a hole in your head[vi]

That no paper[vii] can fill.)

So Simon[viii] says, put your money where your mouth is

’Cos only money talks

Blather it, lather it, rinse it and repeat…

Hedge your bets

Grow your debts

Grab your slice of pie[ix]

Hide your pirate’s treasure in an off-shore shell[x] game

Sink your money in a superyacht

SAIL AWAY! SALE AHOY! Rock bottom prices! Everything must go!

Sell your soul to the City sinners, coin-tossers, plate-spinners…

(Men of words and not of deeds[xi]

Your lying IOUs aren’t worth the tissue paper they’re written on.

A rising tide breaks the banks and sinks all ships

Trees fall in the drowned forest[xii] and the birds have flown

‘So long and thanks for all the chips’[xiii])

‘Anchors a-weigh!’ you say

But we’re in dry dock

Up to our ears in hock.

There’ll be the devil to pay when these debts come due.


[i] Neurath’s boat, Ship of Theseus

[ii] Paul Simon, Bookends, ‘Time, time, time, see what’s become of me…’ and ‘Time it was, oh what a time it was…’

[iii] Humpty Dumpty

[iv] Jack and Jill

[v] Jill used vinegar and brown paper to mend Jack’s broken crown.

[vi] Or bucket, dear Liza, dear Liza?

[vii] Commercial ‘paper’ = short-term unsecured promissory notes issued by companies

[viii] See note ii There goes Rhymin’ Simon.

[ix] Simple Simon met a pieman

[x] She sells sea shells on the sea shore – Ren

[xi] A man of words and not of deeds – rhyme which ends ‘and then you’re dead and dead indeed’

[xii] Cod philosophy: does a tree that falls in the forest make a sound if there’s no one to hear it?

[xiii] Douglas Adams

drawing of origami boat construction
Noah’s Boatyard

Nothing to say

What have you got to say for yourself?

Nothing more to be said

Mute as the dead

Nothing to see here

Nothing to say here

Nothing but sea here

Nothing fresh to hear here

Just reciting clichés

Speaking of the devil

with idle hands.

Hear! Hear!

Listen – silent –

Shuffle the nonsense and repeat

Same, same, same …

Nothing new under the sun

The times rhyme –

we’re under the gun

(Egg jugglers, water carriers, terminally ill,

turning your wine into vinegar.

But there’s a hole in your head

that no paper can fill.)

So Simon says: ‘put your money where your mouth is’

’Cos only money talks

Rinse it and repeat

Hedge your bets

Grow your debts

Hide your winnings in an off-shore shell game

Sell your soul to the City sinners, coin-tossers, plate-spinners.

(A man of words and not of deeds…

Your IOU’s not worth the paper it’s written on

A rising tide sinks all ships and breaks these banks

Trees fall in the drowned forest and all birds have flown)

There’ll be the devil to pay when these debts come due.

watercolour image of face with eyes and mouth taped closed and ears plugged

(written under the influence of Ren @renmakesmusic)

Owl Similes

Lately, if I wake in the night,
I’ve been hearing the lonely call of an owl
– ‘too-woo’ with no ‘too-wit’
Like the hollow ‘tock’ of a long-case clock …
erratic, winding down …
Like a mournful, meandering metronome
Like the silvery beam of a lighthouse,
slow and smooth,
sweeping across a sea of darkness
reaching out into an emptiness
summoning, not warning

Publication!

News release: Caldew Press in Carlisle recently published my essay on art and environmental crisis, among other things, under the title ‘Living is easy with eyes closed’ – copies are available directly from me for £6.50 or from the publisher. If you are interested in buying a copy, please let me know by commenting below or via my contact page). And if you have already read it, thank you! Your responses are very welcome.

books in a box

An open letter to our new prime minister

Dear PM Sunak

Please read this article, and consider your choices. Instead of staying away from COP27 to focus on ‘domestic’ problems, you could take advantage of your current position to act on climate change, which is also domestic because it is planetary! Nowhere is exempt from the effects of climate change. Remember COVID? You took unprecedented steps then, supporting the furlough scheme. But the climate crisis is an even bigger threat than COVID. Now is the time for addressing it as an existential threat – stop throwing money at fossil fuels and start throwing it at renewables, insulating every home in the UK, training people to do that work, enabling people to get out of cars and onto public transport (which means improving public transport), restoring the ecosystem, greening the cities… You want growth? These are the things that need to grow, not the economic shibboleth of GDP.

You can go down in history as a leader who helped to turn the tide, or go down with history as it sails over the cliff of environmental collapse.

Yours urgently

A UK citizen

Two lists

Or in plainer text:

Diversity = Variety, Biodiversity (including gut/diet), Social diversity, Cultural diversity

And is associated with:

Resilience, Flexibility, Creativity, Openness, Life, Growth, Novelty, Change, Evolution, Variation, Expansion, Freedom

Monoculture = Sameness, Industrial agriculture, Social homogeneity, Group think

And is associated with:

Fragility, Rigidity, Brittleness, Monotony, Routine/repetition, Boredom, Control, Death, Insecticide/herbicide/ecocide, Extinction, Narrowness, Dependency, Addiction, Obsession, Totalitarianism, Oppression

Culture wars = a tool to enforce monoculture

Just imagine

Imagination = the capacity to conceive of that which is not actual/actually present to us

To see how things might become different from what has seemed permanent, for good or ill.

Without imagination it is impossible to take seriously the prospect of climate collapse until it happens, or to conceive of the social and other changes that it might bring or that might prevent the worst possible outcome.

Without imagination it is impossible to empathise with others whose lives and circumstances do not resemble our own.

Without imagination it is impossible to think outside our presuppositions, to question our own certainties.

Imagination which can reach beyond the mundane actual connects us to philosophy, art, humanity, mind, to the future and the past.

(Cf. Yuval Noah Harari TED talk on human domination being based on ability to coordinate action in very large numbers flexibly, and the role of fictions like money, nations etc. in this coordination.)

Here’s an irrelevant image, unless you can imagine a connection:

charcoal self-portrait
Charcoal 2022